Weatherwise -1923 Presented by the Noël Coward Company at the Festival Theatre, Malvern with James Mason in an early role.

Published in 'Collected Sketches and Lyrics'

As The New Statesman wrote in 1964, "Who would have thought the landmarks of the Sixties would include the emergence of Noël Coward as the grand old man of British drama?

entertainer and raconteur (someone who tells stories or relates

Noël Coward was a master playwright whose prodigious talent dominated the theatre of the 1920's & 30's. Coward A year later he won praise for his portrayal of

[60], Between 1929 and 1936 Coward recorded many of his best-known songs for His Master's Voice (HMV), now reissued on CD, including the romantic "I'll See You Again" from Bitter Sweet, the comic "Mad Dogs and Englishmen" from Words and Music, and "Mrs Worthington".

This Happy Breed 1939 Depicts the heroism of ordinary folk as they cope with war, death, love, denial and survival. (1954).

[116], Coward was homosexual but, following the convention of his times, this was never publicly mentioned.

Design for Living - 1932. Then, the choice is easy!

(The latter are listed below). Despite excellent reviews, the audience viewing figures were moderate. [125], In his profession, Coward was widely admired and loved for his generosity and kindness to those who fell on hard times.

His London home was wrecked by German bombs in 1941, and he took up temporary residence at the Savoy Hotel. [55] Coward's intimate-scale hits of the period included Private Lives (1930) and Design for Living (1932). 'The Vortex' made him an immediate hit!, and controversial sensation. The play that mocks sudden death was produced at precisely the moment when bombs were bringing it to Britain "I shall ever be grateful, for the almost (1941), a fantasy concerning spiritualism (the practice of trying to A recent concert version with Miss Stricht that took place during the Centenary year was well received. A review first seen at the Duke of York's Theatre, London.

[111] A statue of Coward by Angela Conner was unveiled by the Queen Mother in the foyer of the Theatre Royal, Drury Lane in 1998. Operette - 1937. If there are, they are fourteen different people. Written for Coward, Alfred Lunt and Lynn Fontanne. personality and his abilities as a witty storyteller. Those musicals below marked with an * have still to be completed. I'll Leave It To You

"[136][n 10], Coward spelled his first name with the diæresis ("I didn't put the dots over the 'e' in Noël.

Noel Coward: A Biography. [49] Towards the end of his life Coward was consulted about, but did not compile, two 1972 revues that were anthologies of his songs from the 1920s to the 1960s, Cowardy Custard in London (the title was chosen by Coward) and Oh, Coward! Click the answer to find similar crossword clues. The show has a cast of more than fifty and has never been professionally revived in London. First seen at the Globe Theatre, London. Coward wrote 'There Are Bad Times Just Around the Corner'. [120] Coward featured Payn in several of his London productions.

I did everything that was expected of me. Above and below stairs sisters meet following the marriage of one (film star from Hollywood) to the son of the other's Countess mistress.

Our Man in Havana, [46] By the 1970s the play was recognised as a classic, described in The Times as a "dazzling achievement; like The Importance of Being Earnest, it is pure comedy with no mission but to delight, and it depends purely on the interplay of characters, not on elaborate comic machinery. An astounding polymath - dramatist, actor, writer, composer, lyricist, painter, and wit -- he was defined by his Englishness as much as he defined it. Noël Coward, the playwright and wit and author of Blithe Spirit and Hay Fever, was born on December 16, 1899. [31] Nevertheless, The Manchester Guardian thought that Coward got the best out of the role,[32] and The Times called the play "the jolliest thing in London".

Noël Coward was born in 1899 in Teddington, Middlesex. Revues with dates and notes

Contains the song 'The Stately Home of England' (also used in 'Set to Music').

My father sang them, my mother played them ... my aunts and uncles, who were legion, sang them singly and in unison at the slightest provocation.

[99] It began with a hit 1963 revival of Private Lives in London and then New York. [n 12], "Why", asked Coward, "am I always expected to wear a dressing-gown, smoke cigarettes in a long holder and say 'Darling, how wonderful'? stories, Pomp and Circumstance

In particular, he commented that he was "less impressed by some of the mournful little Brooklyn boys lying there in tears amid the alien corn with nothing worse than a bullet wound in the leg or a fractured arm".

went on to the Savoy Theatre, London on Feb 1 1923. A four hander in 'Private Lives' vein.

[161] Bitter Sweet was set in 19th-century Vienna and London; for his next musical, Conversation Piece (1934) Coward again chose a historical setting: Regency Brighton.

The Better Half May 311922.

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