Indeed, that episode gets a rare shoutout with the Doctor vowing, “I will not lose anyone else to that.”. It’s also notable that – like the kept-officially-under-wraps-until-the-last-minute reappearance of the Daleks in Resolution – the title The Haunting of Villa Diodati avoids a clunky “… of the [returning monster]” title. “Not because it really suits me or anything,” she jokes. Meanwhile, "The Haunting of Villa Diodati" suggests a fantastical origin for Frankenstein and The Vampyre. The episode leaves us with hints at the cracks in Team TARDIS and in the darkness within the Doctor — an intriguing new development as we head to the final two episodes of season 12. While subsequent writers tend to treat the Cybermen as the manifestation of a system out of control, the original Cybermen were created by choice and with consent. “The Haunting of Villa Diodati” is Doctor Who‘s most successful ghost story to date, with director Emma Sullivan creating a creepy, unsettling atmosphere that never sacrifices its looming feeling of dread for the  goofier sci-fi elements of Doctor Who. “Darkness had no need/Of aid from them – she was the Universe,” Lord Byron reads to the group after Team TARDIS leaves, as the camera pans to the Doctor’s tormented face, alluding to the Doctor’s ultimately lonely fate. Explaining the Cybermen to her companions, the Doctor makes a big deal of how the Cybermen harvest people “without their consent.” According to her account, and fitting with the show’s approach to the Cybermen dating back to at least The Rise of the Cybermen and Age of Steel, the emotional inhibitor exists to numb the agony of transplantation and to protect the subject from any desire to reject the conversion. More than that, it continues the season’s trend of offering a more proactive and decisive version of the Doctor, building on earlier episodes like Orphan 55 and Nikola Tesla’s Night of Terror. zergnet.type = 'text/javascript'; zergnet.async = true; There’s a sense in which the confrontation at the climax of The Haunting of Villa Diodati is designed to be equivalent to Tom Baker’s “have I the right?” speech from Genesis of the Daleks or Sylvester McCoy’s “unlimited rice pudding” from Remembrance of the Daleks or Matt Smith’s “hello Stonehenge!” from The Pandorica Opens. Movie details. The Chibnall era has a very warped approach to pacing, with episodes like It Takes You Away often feeling like hypercompressed four-parters from the classic series, covering a lot of ground very quickly. zergnet.src = (document.location.protocol == "https:" ? Synopsis At Lake Geneva on June 1816 in, it's a dark and stormy night. On How the Joker Hijacks “The Dark Knight”….

However, The Haunting of Villa Diodati is very quick to walk this back.

It’s arguably long overdue, and it gives Whittaker a scene into which she can really sink her teeth. But more so than in her encounters with the Cyberman — where Whittaker effectively communicates a palpable bitterness and hatred — the Doctor’s shifting relationship with Team TARDIS gets the most interesting development here. The idea of the Doctor contradicting her own rules adds a level of complexity and contradiction to the character, something largely absent from the Thirteenth Doctor.
This has obvious parallels to any number of relationships between the Doctor and their companions, most obviously Martha Jones’ pining for a completely oblivious and emotionally closed-off Tenth Doctor during the third season. However, there’s something especially fascinating about a Cyberman who appears to have been pieced together from various historical iterations of the cybernetic menace – the arm that looks to be from The Tenth Planet, the rusted plates, the modern helmet, the wiring from other iterations. The Lone Cyberman has a face that is expressive, and this helps to define him as more than just a faceless adversary.


While I'm concerned for the Tardis fam, they presented an interesting historical plot using a narrative style that works, and have given the Doctor a moral conundrum that will carry her into the home stretch of her second season. Please enter your email address and we will email you a new password.

It's an almost weekly gripe but there wasn't quite enough for the three companions to do here, except creep around looking scared - which jumpy Ryan did particularly well. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. When Ryan is attacked by the skeletal hand, the group realize something sinister has taken over the house, and split up into groups to look for Percy Shelley. (function() { Would Earth have a frame of reference for them? But everything else matches up pretty well. To give the twelfth season some credit, it feels like episodes like Orphan 55 and Nikola Tesla’s Night of Terror recognise the problems inherent to this approach and have tried to walk it back somewhat. This hints at a big internal tension within the Chibnall era. (The show is performing well enough on catch-up that there’s little need to worry.) The resolution is tidy, as well as open-ended. Click the button below to start this article in quick view. The Haunting of Villa Diodati is a very well produced and engagingly written episode that works remarkably well at what it is trying to do. Learn how your comment data is processed. It’s a fairly solid concept – to a certain extent, it’s a collision of Dalek with Army of Ghosts – but with a distinct enough flavour that it stands apart from what has come before. One of the Doctor’s oldest monsters, an army of which were responsible for her last reincarnation’s death, this new Cyberman has a fantastically creepy redesign that is not unlike that of how pop culture has imagined Frankenstein’s monster — body parts missing, a scarred face peeking out from behind a ravaged helmet, dents and nicks covering the dirty armor. After all, one of the best moments in Thin Ice has the Doctor arrogantly lecturing Bill on the importance of not punching racists no matter what vile things they might say… only for the Doctor to immediately punch a racist for saying a vile thing.

The Haunting of Villa Diodati also does a nice job on smaller scale characterisation, particularly wedding that to the larger arc of the season. One of the most terrifying moments of the episode again mirrors Frankenstein, but this time the 1931 movie: the Cyberman picks up Mary’s helpless baby after killing the maid, and gently places it down, stating ominously, “You will be like us.”. There is no Audience Score because there are not enough user ratings at this time. The latest episode of Doctor Who, "The Haunting of Villa Diodati," saw the Doctor meet the creator of Frankenstein - but what really happened? Some of that tension simmers through The Haunting of Villa Diodati, particularly when the crew show up at the eponymous mansion.

“I will not lose anyone else to that,” the Doctor vehemently declares upon ordering her companions to stay behind as she faces off with the Cyberman. (It would also be hugely disrespectful.). Read our Terms of Use and Privacy Policy / Cookie Disclaimer. The efforts to radically reinvent the Cybermen to make them scary again recall the efforts during the Moffat era with stories like Nightmare in Silver. In one particularly interesting scene, the Doctor uses a Time Lord power to give Percy Shelley a vision of his death, and he is shown drowning; this was indeed his fate, with Percy drowning in a sudden storm on the Gulf of La Spezia in 1822.


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