But the tone and ending are completely different, and it’s mostly a relief when Vivian and Edward don’t end up together, even though the story ends on a decidedly down note. All rights reserved. “Thank God it fell apart," Roberts added because she felt she "couldn't do" that original role. That’s the other side of it, is that I’m supposed to be the wounded artist in all of this who painted the da Vinci or whatever and then they slashed it. Roberts explained that the "small movie company" that owned the movie rights "folded over the weekend" so she was out of a job pretty quickly.

“I suddenly said, ‘Well, maybe I need to do something more serious and dramatic,’ and I had written a script called Red Sneakers which was about a one-legged lesbian standup comic who was an alcoholic, and all of a sudden, I got a lot of attention. But the chemistry between Julia and Gere, it is palpable on the screen, it was palpable in auditions. Actress Julia Roberts revealed the original ending to the famous movie "Pretty Woman. People were really interested! I kind of thought about the idea that one of these people would met somebody who was affected by what they were doing,” Lawton remembers. Red Sneakers, a more serious film from the mostly ninja flick–oriented Lawton, then beget 3,000, a dark fable about a financially destroyed America and the perils of showing the good life to people who had never experienced it before. “I was told by the executives that I had lightened it too much. Vanity Fair may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. Julia [Roberts] was Rapunzel, Richard [Gere] was Prince Charming and Hector [Elizondo] was the fairy godmother. Lawton was a struggling screenwriter when he first wrote 3,000 in the late 1980s, a dark drama that drew inspiration from films like Wall Street and The Last Detail. “They had auditioned Al Pacino, they had auditioned Michelle Pfeiffer, and it would definitely have been a different movie if had it been Al Pacino and Michelle Pfeiffer,” he says. Basically, it was “dark” and “gritty” before Hollywood even knew they wanted “dark” and “gritty.”, That didn’t stop the industry from loving the script, however, original dark conclusion and all. 'HOMECOMING' STAR JULIA ROBERTS OPENS UP ABOUT 'MENTAL CHALLENGE' OF FILMING NEW AMAZON SERIES, “So many, many, many years ago, one of my early auditions was for a movie called '3,000,'”  Arquette said. https://www.foxnews.com/entertainment/julia-roberts-pretty-woman-original-ending To revisit this article, visit My Profile, then View saved stories. The director recalls, “My vision was a combination of fairytales. It didn’t seem like a vision everybody would have, but I did.”, Lawton believes the studio wanted a happy ending in particular because Gere and Roberts were being courted for the lead roles.

Julia Roberts, in her iconic streetwalking outfit, but without the platinum wig, behind the scenes with director Garry Marshall. All market data delayed 20 minutes. “I believe that Laura did come out with the last line—‘She saves him right back,’ ” Lawton recalls fondly. And, tucked inside Pretty Woman’s sunny shell, 3,000 was, too. With 3,000, even darker than Beaches, they could hang on to Marshall, whom Lawton says was flirting with the idea of going to another studio. All rights reserved. “I didn't want a movie whose message would be that some nice guy will come along and give you nice clothes and lots of money and make you happy,” Ziskin said in a 1991 People magazine article, which credits her for changing the film’s ending with addition of the line “She rescues him right back.”, That’s not exactly what happened, though Ziskin certainly contributed to the film’s conclusion. During Variety's "Actors on Actors" interview, Roberts, 51, told fellow actress Patricia Arquette that she auditioned, at first, for a very different movie.

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Always time to dream, so keep on dreamin’.”. It gave Hollywood permission to do it, and then Garry was smart enough, because he’s got incredible pop instincts, to say, ‘O.K., this is what people want to see, they want to see the fairy tale.’ ”, At the end of Pretty Woman—not the end of 3,000—the character known as “Happy Man” (played by Abdul Salaam Razzac), joyfully yells to the characters, the extras, the audience itself: “Welcome to Hollywood! Lawton remains the only credited screenwriter on the project. The Oscar winner revealed that the original script was very dark and gritty compared to the rom-com it's now known as. This material may not be published, broadcast, rewritten, or redistributed.

. or redistributed.

That he happened to be living in Hollywood at the time, in a neighborhood populated by daughters of the Rust Belt who had turned to prostitution, was just a strange coincidence. “I think it got produced because the original script had gone to Sundance, it was prestigious, it was viewed as serious art, so it was allowed to touch into this area of sexuality and money and prostitution and all of that. Lawton’s original script still contains many of the classic beats and scenes that people remember from the final film, including a trip to the opera, a series of bad shopping experiences, and that fancy dinner with the kind-hearted businessman whose company he is trying to raid.

Specifically, they were looking for something darker to keep director Garry Marshall at Disney after the success of Beaches, another film with some dark underpinnings. The actors brought such a lovability and charm that I didn’t think the audience would want a dark ending, and it didn’t hurt that I am from the school of happy endings.”, The script then cycled through multiple other writers (including Stephen Metcalf, Robert Garland, and Barbara Benedek), but Lawton doesn’t recall being upset about the changes. You can’t really see how it could end any other way, because they just light up with each other.”, Marshall agrees, sharing of his first impressions of his eventual lead actors: “The chemistry between Roberts and Gere was perfect. 3,000 ends with Kit and Vivian on a bus bound for Disneyland—that the film would eventually be produced by Disney is yet another odd bit to a complicated story—with Kit anticipating a fun day financed by Vivian’s week with Edward, as Vivian “stares out emptily ahead.” That’s it. To revisit this article, select My⁠ ⁠Account, then View saved stories. Ad Choices. Julia Roberts would have been part of a very different "Pretty Woman" if the fates hadn't intervened. If you’re an architect and you design a cabin for the woods, and somebody says, ‘We want to make it into a skyscraper’ . Everybody comes here; this is Hollywood, land of dreams. And it became more something that is in my wheelhouse.”. . Pretty Woman star Richard Gere has been chatting about the film's original, and much more bleak, ending. “Most people don’t know that '3,000' was the original 'Pretty Woman' script. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. All market data delayed 20 minutes.

It ended up being one heck of a fortuitous upgrade, because Disney just so happened to be looking for something darker.

(Buena Vista/Getty Images), Roberts described how that "3,000" ended with her character being shoved out of a car and someone "threw the money on top of her, as memory serves, and just drove away, leaving her in some dirty alley.”, ELIZABETH HURLEY, 53, SIZZLES IN HOT PINK BIKINI, “So it really read like a gritty art movie,” Arquette added.

I think they probably would have replaced me anyway, but the reason they claimed to fire me is that I lightened it too much and they were concerned,” Lawton remembers. That’s all. The kernel of what would become 3,000—and then Pretty Woman—isn’t necessarily obvious in the final film, but it’s there: “Wall Street had either come out or was coming out, I had heard about it and the whole issue about the financiers who were destroying companies. “[Director] Garry Marshall came on, and because he’s a great human being, he felt it would only be fair to meet me, since I had this job for three days and lost it. I was a guy who was writing ninja movies and trying to get a job. Lawton looks back on how his gritty screenplay got turned into a fairy tale—and why he thinks it’s the best thing that could have happened. ©2020 FOX News Network, LLC.

As Lawton tells it, he was just trying to do something new to get a gig. Source: HLN. Actress Julia Roberts revealed the original ending to the famous movie "Pretty Woman." If anyone deserves an additional writing credit, though, it might just be Marshall himself, who, Lawton reveals is responsible for a number of the film’s details, including Vivian’s fairy-tale speech and the polo match. © 2020 Condé Nast. “During this whole thing, there was all this whole debate about ‘How do we end it, how do we save her?’ without it feeling like a cop-out.”, Still, Lawton was convinced that Marshall had a vision that he wanted translated to the big screen, and Marshall concedes that he did – in his mind, it was a fairy tale, with a twist. But Ziskin made her major contribution, too. And the ending was really heavy.”, Richard Gere and Julia Roberts in a scene from the film 'Pretty Woman', 1990.

“When you first read it, it was that incarnation.”. People were talking to me.”.


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