Kingsnorth, in turn, introduced Hine to the American poet Robinson Jeffers, who quickly became a kind of lodestar for Dark Mountain. Also called “Uncivilization,” it was an intense, brooding document that vilified progress.

With waters rising, deserts spreading and resource wars looming, how could his message be anything but reckless — even callous?

For the past three years, he has spent a good portion of his time trying to stop a large supermarket from being built in Ulverston, in northern England. Each man draws a distinction between a “problem,” which can be solved, and a “predicament,” which must be endured. We are living, he says, through the “age of ecocide,” and like a long-dazed widower, we are finally becoming sensible to the magnitude of our loss, which it is our duty to face. What are we hoping for? For Kingsnorth, the anti-globalization movement was both opportunity and mission.

It was the final night of Uncivilization, an outdoor festival run by the Dark Mountain Project, a loose network of ecologically minded artists and writers, and he was standing with several dozen others waiting for the festival’s midnight ritual to begin. “It seems to me to be such a futile thing.

And then as our eyes adjust to the darkness, what do we start to notice?’ ”. We are gathered.”. Kingsnorth and Hine consider the books to be the heart of Dark Mountain’s work. and He Feels Fine. I’ve had it. Kingsnorth is 41, tall, slim and energetic, with sweeping brown hair and a sparse beard. And you tell me we have nothing to fear.”, Naomi Klein also sees a troubling abdication in Kingsnorth’s work.

Still, much of his recent writing has been devoted to fulminating against how environmentalism, in its crisis phase, draws adherents. Sitting in the hut, the air stale and the light almost nonexistent, I thought of something Hine told me earlier.

“I just wish there was a way to be more honest about that,” he went on, “because actually what McKibben’s doing, and what all these movements are doing, is selling people a false premise.

“Do you know what the ‘first follower’ is?” Dougald Hine, Dark Mountain’s co-founder, asked me. His 20s were an awkward — and not very successful — mix of idealism and ambition. From the start, it has been difficult to pin down — even for its members.

Now that need was obsolete. Kingsnorth’s father was not without a love of the outdoors, but it was a striving, willful kind of love. Four men in masks knelt at the sculpture’s base, at cardinal compass points.

Then as the wicker blazed, a soft chant passed through the crowd, the words only gradually becoming clear: “We are gathered. These trips were both trials and revelations.

They want to focus their limited resources on publishing more books more frequently, but they also don’t want the gatherings to ossify into a predictable program — or worse, an annual party. “What do you do,” he asked, “when you accept that all of these changes are coming, things that you value are going to be lost, things that make you unhappy are going to happen, things that you wanted to achieve you can’t achieve, but you still have to live with it, and there’s still beauty, and there’s still meaning, and there are still things you can do to make the world less bad? Had it not been for the surge of interest that greeted the manifesto, Kingsnorth might have stopped there, retreating into the private life of a father and an artist. Kingsnorth’s reaction to his father’s death was conflicted. Writer(s): William Berry, Peter Buck, Mike Mills, Michael Stipe.

And those people . Before you know it, a full-fledged dance party has broken out. (It has since reached 400 p.p.m.) Writers whose work more or less fit the manifesto’s bill answered Kingsnorth’s and Hine’s call.

“Real England” was a great success — the first of his career. He set his views in opposition to what he called neo-environmentalism — the idea that, as he put it, “civilization, nature and people can only be ‘saved’ by enthusiastically embracing biotechnology, synthetic biology, nuclear power, geoengineering and anything else with the prefix ‘new’ that annoys Greenpeace.” Or as Stewart Brand, the 75-year-old “social entrepreneur” best known as the publisher of the " Whole Earth Catalog,” has put it: “We are as gods and have to get good at it.”. “I will have a glass of wine now and try not to worry about it.”, It’s the End of the World as We Know It . Kingsnorth wouldn’t tell his father about his arrest for 10 years. Instead he found himself at the head of a burgeoning organization that even its critics might concede was changing the environmental debate in Britain and the rest of Europe. During their first meeting, Kingsnorth and Hine spent most of their time exchanging influences — “showing each other our maps,” is how Hine puts it. He felt he could finally, with a clear conscience, “go to the margins.” All he had to do was figure out what that meant.

The chief obstacle was his father: a driven, competitive man who scraped his way up from a working-class background to become the head of a manufacturing firm. After that came disorder. Controversies between Roman Catholics and Protestants over church authority and therefore biblical interpretation were painful and peaking, with implications for every aspect of life – familial, political, economical, social, educational – on the line.

It proved easier to make this vow than to act on it.

In Kingsnorth’s telling, it also didn’t stop them from wondering whether they should keep fighting. “We have to be honest about what we can do. At the first festival, in 2010, Kingsnorth behaved the way he thought the leader of a new movement ought to behave. Nor would he find a way to elude the expectations placed on him. “How many would survive without modern industrial civilization? I don’t believe it! But he insists that he isn’t opposed to political action, mass or otherwise, and that his indignations about environmental decline and industrial capitalism are, if anything, stronger than ever. It's the end of the world as we know it, and I feel fine (It's time I had some time alone) Submit Corrections. . Let’s play!” The crowd broke up.

Monbiot responded that “stepping back” from direct political action was equivalent to a near-criminal disavowal of one’s moral duty.

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