In that way they do their jobs flawlessly but that's not usually what people mean when they talk about rappers now so i forgot to add it. Oh (Hands up, hands up) This is just the start look at me good little boy The recorded version doesn't have this problem so it seems to be something he falls into more during live performances than while recording. Lmfao had to put my final thoughts in a separate comment because the post is too long. For every good performance that i referenced here there are 4+ absolutely forgettable songs with forgettable deliveries.

Life Is Good Lyrics: Workin' on a weekend like usual / Way off in the deep end like usual / Niggas swear they passed us, they doin' too much / Haven't done my taxes, I'm too turnt up / Virgil got a It's not something you're supposed to train for, so there's a bit of a lack of consistent criteria to judge on like you said. But that's just me. Also I wanna say one more time, because this is getting quite a few downvotes (which I expected honestly) that I really do wanna hear your criticisms or disagreements. I’m wondering if you prefer it, if you don’t, if you have any thoughts on it? It's obvious to me that they do their best work when they have a song or instrumental that pushes them to be creative, but without that drive Leedo simply slips back into being a low-tone rapper without much of a trademark. He always knows how to stress the downbeat to achieve truly bouncy goodness like here in If Without You. A better example of him going loud and passionate without sounding childish would be here on Desire where he throws in some growling and doesn't stay at a high pitch. Mingi's delivery is very centered on a focused and continuous amount of power, occasionally he uses melodic lines but usually he prefers straight delivery with some higher inflections thrown in. A particularly egregious example of this can be found in Mist, i'm not even going to timestamp to his verse, listen to that beautiful Wooyoung intro and then listen to the way he chooses to deliver his verse immediately after... someone pls try to make that choice make sense artistically.

I'm glad to hear from someone who stans these folks!

On the Oneus note, I personally kind of wish Leedo didn't rap at all because his voice is so lovely and then Ravn might get more flexibility and room to work with?

I didn't post this with the intention of saying "this is the gospel and you must agree" these are just things I find interesting and enjoyable to talk about! I love the stuff he has there too, and tbh, while he's got credits on lyrics for most of their music (I assume for writing his own raps, like Leedo and the Ateez rappers) I wish he'd have more involvement than that because I agree with you, Oneus doesn't have great b-side game. In the midst of a painful wind (Hey, little boy) Life is to be torn and ripped. Although Mingi is not considered the top performer of ATEEZ (mostly because ATEEZ are some of the strongest performers currently active) he is no doubt a very good performer and is most definitely able to sell a lot of his delivery through charismatic live performances and his excellent dance skills. More posts from the kpopthoughts community.

That said his voice is a feature he uses, Light Us being a good example of him using it to good effect and atmosphere. By FAR the most interesting officially released song they've had from and beat/rapping perspective is Crazy & Crazy which is produced by the Onewe member Cya who honestly impressed a lot, he definitely outdid the other two on that track. ACE has a much smaller discography than others but they also tend to be much less keyed into one particular concept and have gone all over the place in both title and bside tracks. the beat, the delivery, the way the two of them contrast, the whispered refrain. That's true, although like I said i find Leedo's prospects really exciting I'm also... totally enamored by his singing. I'm a To Moon and thoroughly enjoyed reading through your analysis of ONEUS, you totally made me realize the intricacies of rap that I hadn't before :D. I really wish they could read this, you gave a lot of good pointers on how they could improve, but again, thank you! He rarely goes very quiet and, as mentioned, his loudest setting sounds awkward. Even his most exciting and experimental choices are well within the lane of expected flows and deliveries. He always adds little flourishes to make them distinct, Unexpected and fun transitions between straight and melodic deliveries and another, like here on Twilight or here on Mist (which is one of his best verses by far imo). Oh (Hands up, hands up) jigeumbuteoya nareul bwa good little boy. Weaknesses (this is gonna be a little brutal... Atinys proceed with caution) : GOOD LORD he sounds the same in almost every song. Wow, thank you for this analysis. Although his play with melody and rhythm is good and provides interest, Hongjoong still struggles with a full dynamic range.

It's really cool I dig it, I don't really know what the emotion of bufferingonmymind is supposed to be but I felt it, Good ability to switch flows while keeping the track continuous like here on LIKEACHEEZ (great title btw). There's plenty of boring stuff that he does when the song doesn't have a clear emotional edge or conceptual backing. I'd like to see your analysis on CIX's BX although their discography is quite small, also thanks for the magnificent post. Rate this level: Criteria: song choice and fit with the level. Rapping, by comparison, is so new as far as a musical/performance subset that is widely recognized (that's not the whole story of course, spoken forms of musical delivery have been around for millennia) and doesn't have as much of a set /goal/ for the performers.

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