Speaking of which, this immediate follow-up to On Location is more polished and better paced, even though it uses much of the same material. Especially during the final two decades of his career, he proudly wore the badge of being the “cranky, unhinged, angry old man railing against a corrupt and misguided society” that made his performances seem like raw and unfiltered regurgitations of his innermost complaints and grievances. Even a lot of Carlin’s most ardent fans find this one to be too dark and morbid to work as a comedy special. A big chunk of this already overlong special is spent on warning the audience that Carlin will be using “salty language.” No shit, really? During the mid-‘80s, Carlin went through a sort of identity crisis, as his trademark broad observational humor was beginning to seem stale and dated. The infamous Seven Words You Can’t Say on TV bit can be found here, but he did it with better effect in George Carlin: Again! However, it does contain two great, famous bits: A Place for My Stuff and Baseball vs. Football. His attack on pro-lifer hypocrisy is also a classic. On Sept. 10, 2001, on a stage in Vegas, a city he loathed, George Carlin performed the red-hot closing bit he planned to use for his latest HBO special.

Carlin’s a bit meandering as he tries to cram almost all of his ‘70s material into one 90-minute special. It takes a special kind of genius to make painstakingly detailed material come off as heated stream-of-consciousness rants. Life is Worth Losing (2005) Even a lot of Carlin’s most ardent fans find this one to be too dark and … Yet Carlin didn’t just hate religion, he hated hypocrisy, bullshit and willful ignorance, especially the American kind. So I figured that it wouldn’t be fair to pit it against the hour-long specials. Hints of the angry, unhinged Carlin we know and love begins to show itself during this energetic performance. Religion just happened to fit the bill, along with evil, manipulative politicians, a materialist society, an overtly PC culture that softens language to build an overly sensitive world, and the all-around general stupidity of human nature.

His Advertising Lullaby, where he goes after equally clever and evil marketing lingo, might be his best. The brilliance of his method of delivery lay with the fact that he was always meticulous about his work, slaving over every word, almost never deviating from his writing, while performing it with the grace and dedication of a Shakespearean actor. His bit about how he can take advantage of people now that he’s 70 is gut-bustingly funny. Carlin said that something in him clicked when he was writing this special, as he decided to become more brutally honest and open. The new European data protection law requires us to inform you of the following before you use our website: We use cookies and other technologies to customize your experience, perform analytics and deliver personalized advertising on our sites, apps and newsletters and across the Internet based on your interests.

He lives near Portland, Ore., with his wife, daughter and two King Charles Spaniels. This comes across during this powerhouse performance, which includes what I consider to be the best bit of his career: A glorious piece of dark poetry about how Earth doesn’t actually need us (“The planet is fine, the people are fucked!”). Oktay Ege Kozak is a screenwriter, script coach and film critic. His bit about how we identify and perceive time is classic Carlin in the sense that it dissects the absurdities and inconsistencies found in modern language. George Denis Patrick Carlin (May 12, 1937 – June 22, 2008) was an American stand-up comedian, actor, social critic, and author. See our Privacy Policy and Third Party Partners to learn more about the use of data and your rights. This special really hammers in Carlin’s assertion that America is a freak show, with a grand midpoint bit where he suggests cramming all of the country’s criminals, dimwits, assholes and sickos into four different states and televise them killing each other. We use cookies and other technologies to customize your experience, perform analytics and deliver personalized advertising on our sites, apps and newsletters and across the Internet based on your interests.
He works as a reader for some of the leading screenplay coverage companies in Hollywood, and is also a film critic for The Playlist, DVD Talk and Beyazperde. Regarded as one of the most important and influential stand-up comics of all time, he was dubbed "the dean of counterculture comedians". All Rights Reserved, 11. A pointless noir-wannabe intro eats up 10 minutes of this already short and unfocused special. This is where the righteously indignant, pissed-off and borderline nihilist Carlin comes out in full force.

On Location: George Carlin at USC (1977).

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