Its story is told only in abstracts: the back cover and inner sleeve of the LP, and the record’s first two songs. It works ’cause we said it worked. (Unfortunately I was forbidden to attend the opening concert of the Diamond Dogs tour, just a few kilometers away in downtown Montreal. Regarding the album’s “laziness”, while I do agree that Bowie puts in a lot less plot — and graft — than, say, Rice and Webber, I’d have to say he achieves vastly more in terms of texture, atmosphere and character. 5 Comments; 0 Tags; And in the death, As the last few corpses lay rotting on the slimy Thoroughfare, The shutters lifted in inches in Temperance Building, High on Poacher's Hill.

Make-up counted for more than continuity. Edit.

It didn’t take much to convince Dad, though, that the scenario that followed owed a lot to a poem he held in high regard, TS Eliot’s The Wasteland. History Talk (2) Share.

High on Poacher's Hill No more big wheels And ten thousand peoploids split into small tribes Goffs?’ Jim gazed upon him thoughtfully, for that was how the boys talked of the creatures who dragged and swayed and slumped through their dreams. Films, theatre and musicals based on Ziggy, Diamond Dogs etc are conspicuously thin on the ground.

The song’s official music video was released on May 4, 2017, and two weeks later, on May 23, 2017, a remix featuring Kendrick Lamar was released. And time was pressing: Bowie was going on tour again in the spring of ’74, needed a new record, and didn’t have the material for an LP on the Diamond Dogs idea alone (hence the scrapped 1984 songs were used to fill a side). Sweet Thing, for me, is the best thing he ever did.

Any day now So “Future Legend” is stage setting for an absent play, with the SF juvenilia of the lyric (“fleas the size of rats sucked on rats the size of cats,” etc.) The slow and syrupy production by Metro Boomin samples the 1976 song, “Prison Song” by Tommy Butler, which featured Carlton Williams. What matters is the immediate drama, pretext for the flickering emotions, the tone of voice, the timbre of the instruments, the churn of chords, the poise, the flange, the glamour, the despair. However it sounds now, I thought it was the coolest thing ever when I was twelve. In a lakeside house in Montreal in 1974, the feral, haunting howl with which this tone-poem begins made my father howl in protest (“That’s awful, Nicholas!”), which only made the 14 year-old me like it even more.

Enjoyed everywhere, The Lyrics for Future Legend by David Bowie have been translated into 1 languages, These lyrics have been translated into 1 languages. that in the “diamond dogs” entry. It says a lot more about how life felt in the 1970s — chaotic, decadent, exciting — than any well-made plot could’ve done. As he told William Burroughs, he got distracted easily, and while he seemed to like the idea of making odd concept records, he managed to avoid the grim business of actually having to write one. I’m wild again…beguilded again…a simpering, whimpering child again….

The one-minute “Future Legend” is almost the entirety of the Diamond Dogs LP “concept.” Not for Bowie the libretto and motifs of Pete Townshend’s Quadrophenia, or the painstaking dreamscape theater of The Lamb Lies Down On Broadway.As a narrative, Diamond Dogs barely exists. The song is also certified 6X platinum by the RIAA. As the last few corpses lay rotting on the slimy thoroughfare The Year of the Diamond Dogs, You will get 3 free months if you haven't already used an Apple Music free trial, Made with love & passion in Italy. In the bad dreams of William, the ‘ulmers’ moaned and gibbered and had no faces. i have an erection now …, 11th Street Recording Studios, Atlanta, Georgia, Percocets (Ya), molly, Percocets (Percocets), Rep the set (Yee), gotta rep the set (Gang, gang), Chase a check (Chase it), never chase a bitch (Don't chase no bitches), Percocets ('Cets), molly, Percocets (Percocets), Two cups (Cup), toast up with the gang (Gang, gang), From food stamps to a whole 'nother domain, ya, Drug houses (where), lookin' like Peru (Woah, woah, woah), Pink molly (Molly), I can barely move (Barely move), Ask about me ('Bout me), I'm gon' bust a move, Rick James (James), thirty-three chains (Thirty-three), Percocets (Ye), molly, Percocets (Big foreigns), Rep the set (Ye), gotta rep the set (Gang, gang), Chase a check (Chase it) (Ye), never chase a bitch (Don't chase no bitches) (Big foreigns), Mask on (Off) (Ye), fuck it, mask off (Mask) (Big foreigns), Chase a check (Chase it) (Ye, ye), never chase a bitch (Don't chase no bitches), Four-door Maybach (Four-door), I drive anything (Ye), Buy my Range (Ye), make 'em go insane (Ye), My guillotine, drank promethazine (Drank prometh'), TEC and beams (Ya), go to those extremes (What's good, what's good), Parliament (Parliament), calamari Wednesday (Ya), Parlay in Vegas, we was in attendance (What's good, what's good), Before the business (Yeah), Theodore lenses, Theo-Dur prescriptions (Ya), focus on the missions (Fo' my), Intermission (Hol' up), never take a break (We can pull up), Switch states, touch down, foreign plates (Speech), We call the play, we didn't come to play (No), “Mask Off” serves as a “rags-to-riches” story that explores the surface of Future’s past, from trapping to living a life of luxury. I must commend you on this staggering piece of work your doing collecting all the references and a real sense of place for Bowie’s music, you not shy of repremanding him of some of his pretensions and musical theft. The rest of it was a set of random Beatles compositions: if they fit together, it was only because the listener wanted them to. And your plot would be pretty spurious, and would finally detract from the whole thing. that’s true–am going to ref. Legends Lyrics: I usually don't speak on shit like this, but / Ain't nobody else saying shit / Daytrip took it to ten (Hey) / I usually have an answer to the question, but this time I'm gon' be David Bowie – Future Legend.
It was a huge factor in the song’s popularity.

Bowie could argue he had a fine precedent: the king of all concept records, Sgt. Fleas the size of rats sucked on rats the size of cats No more big wheels. The Lyrics for Future Legend by David Bowie have been translated into 1 languages.

This entry was posted on Tuesday, September 14th, 2010 at 9:51 am and is filed under Diamond Dogs: 1974. “Future Legend” ends with canned applause and genocide.

Do the Diamond Dogs end up chewing the bones of the Circling Skeletons? For Bowie — an artist who used his body more, and better, than most — characters were concepts to be worn, rather than written.
set against a rolling scrim of ominous music—air raid sirens; dog howls; synthesizer washes; “Bewitched, Bothered and Bewildered” on electric guitar; what sounds like an impersonation of Scott Walker singing “Any Day Now”; lost children wailing in the streets. Future Legend. Narrative was an excuse for a certain kind of histrionic delivery, a string for fragmented fantasies.


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