[5][6] Rogers said that the approach he used to design this early work, such as the use of prefabricated steel and glass modules, served as an inspiration for much of his future work, which includes the Centre Georges Pompidou, co-designed with Renzo Piano, and the Grade I listed Lloyd's building. Set in a narrow plot of woodland just opposite Wimbledon Common, the house was built in 1968–70.
Researcher Dirk van den Heuvel delved into Peter and Alison Smithson’s Robin Hood Gardens (1972) and welfare state housing, while his counterpart Jose Castillo analyzed food culture and networks. In 2015 the building was renovated and donated to the Harvard Graduate School of Design, after Richard Rogers failed to …
There are a master bedroom, two small bedrooms, a bathroom and utility room. In his recently published memoir, A Place for All People: Life, Architecture and the Fair Society, Rogers candidly describes his and Su’s own position at the time they designed the Wimbledon House: “Like many young people, we wanted to find our own spirit, our own language, our own technologies to solve the problems of the day.” That a building may be seen as both an actor and a demonstration of research practice is pleasing indeed: Long may its early-career practitioners further their own intellectual investigations within the radiant walls of a fully realized experiment.
The first part is a flat and pottery studio for Rogers' mother, with the main house set in trees behind. The 2,766-square-foot house, located at 22 Parkside in the Wimbledon district, was commissioned by Rogers' parents and built in 1968 and 1969. Rogers gifted the Wimbledon House, also known as 22 Parkside, to Harvard GSD in 2015.
Rechristened the Wimbledon House after it was donated to the Harvard University Graduate School of Design (GSD) for use as a research center, 22 Parkside—as it was previously known—was the home of the architect Richard Rogers’s parents for many years.
Characterized by colorful steel exterior supports and floor-to-ceiling glass windows, the Wimbledon House was one of Rogers’s first projects outside of architecture school. Colorful steel supports floor to ceiling glass windows that provide views of the restored Wimbledon garden.
The pipes, tubes, services, funnels, ducts, and shafts that explained the operation of buildings while maximizing the brusquely functional space within have a clear and direct correlation with Rogers’s development of British High-Tech. [6] The house was adapted and extended by Rogers' son Ab, who moved into the house with his family in 1998. "Parkside was both a spectacular utopian prototype and a home in which a continental modernist serenity touched every corner," he said. Interestingly their subjects have ranged from convivial dining to anarchic poetry and social reform. "This machine for living, a blueprint for industrialized mass-produced housing, also achieved…an intense poetic and emotional resonance.".
Gumuchdjian first interacted with the house as an apprentice at the former Richard Rogers Partnership. "[8], "Private House Designed By Richard Rogers Receives Grade II Listing", "House designed by Lord Rogers for his parents given Grade II* listing", "Wimbledon house was meant to solve the British housing problem but didn't, says Richard Rogers", "Richard Rogers donates house designed for parents to Harvard architecture school", https://en.wikipedia.org/w/index.php?title=22_Parkside&oldid=972234343, Grade II* listed buildings in the London Borough of Merton, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 August 2020, at 23:54.
Such was the case with the Wimbledon House in South London, formerly known as 22 Parkside or, more commonly, the Rogers House. The consequences of this system of building—at a time when steel-frame construction was highly unusual in the United Kingdom—were an open floor plan, radical flexibility in spatial configuration, and the beginnings of long-running experimentation in affordable housing and construction techniques, the most recent example of which is the Y:Cube (2015).
Courtesy Iwan Baan. Youthful exuberance is given license under the aegis of supportive kin.
Parkside Private Hospital has been shortlisted in two categories of the prestigious 2020 LaingBuisson Awards through…
Two opposite sides of the house, north-east and south-west, have ceiling-to-wall glass with views onto the grounds, which consist of a courtyard and landscaped gardens. Provided your folks have the means, it offers the opportunity to give expression to a manifesto, or to experiment at a one-to-one scale, with the safety net of an indulgent client.
the “inside-out” building, is a virtuoso expression of the style, ornamented by a visceral plethora of services and circulation.
He was asked to replace the iconic yellow blinds. The Wimbledon House demonstrates some of these tropes, too: Its simple glass volume remains pristine, framed by a series of load-bearing steel portals and unfettered by internal structure.
The house is also a testament to a certain economy required by the family Rogers.
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[2][3][4] It is a notable early example of Rogers' work. In case this seems like an overtly luxurious opportunity for such a small band of scholars, it’s worth noting that fellows don’t actually reside in the house proper; a two-bedroom lodge repurposed from a former annex forms the actual living quarters. Since 22 February 2013, it has been a Grade II* listed building. As for intactness, it was noted that "the intention, structure and main built-in fittings are clearly legible, alongside later modifications, an endorsement of its versatility.
It marked the beginning of his built exploration of "inside-out" structures, a concept that would become famous in the next decade when he collaborated with Renzo Piano on the Parisian Pompidou.
All rights reserved. "Richard has long been committed to many of the challenges cities around the world are confronted with today—questions of sustainability, energy, and social equity, among others," said Harvard GSD dean and design professor Mohsen Mostafavi.
Following a two-year-long renovation (undertaken by Gumuchdjian Architects and landscape architect Todd Longstaffe-Gowan), the house hosted its first cohort earlier this year.
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