[18] A contemporary description of the new theatre said, "The façade is of the Renaissance style in red brick and Portland stone, divided in the centre and two wings, each surmounted with a high pitched gable with recessed arcades" and "The frame of the proscenium is of brown and white alabaster: the sides of the stalls and pit are lined with walnut and sycamore panelling, with handsome carved mouldings". [89], A revival of Joe Orton's Loot in 1984 made headlines when the star, Leonard Rossiter, died in his dressing-room during a performance. [22] In a short speech after the performance Leslie told the audience he hoped "to follow the plan of the Paris Opéra-Comique in producing works by native composers". [95], The theatre twice changed hands in the 2000s. [55][58] There were good runs in 1955 with My Three Angels, an adaptation of Albert Husson's comedy La Cuisine des anges, and in 1956 with Coward's romantic comedy South Sea Bubble, starring Vivien Leigh (276 performances). [n 2] It was commissioned by the producer Henry Leslie with profits from the Alfred Cellier and B. C. Stephenson hit, Dorothy; Leslie was said to have made £100,000 from the show. The Lyric Theater initially staged mostly light operettas when it first opened before subsequently staging light comedies and straight drama. [63] Oh, Clarence, based on P. G. Wodehouse's Blandings stories (1968) starred Naunton Wayne as Lord Emsworth. Croom-Johnson, A. After a succession of comic operas, 1916 saw F W Tibbets take hold of the venue until 1930, during which operas and plays began to be on the bill.

[22] Dorothy was followed in April 1889 by Doris, by the same author and composer, which failed to emulate its predecessor's record-breaking success and closed after a modest run of 202 performances.

[47], In 1933 Thomas Bostock became proprietor of the theatre and had it renovated. [42][45], William Greet was succeeded as lessee by Edward Engelbach in 1914.

[47][50] The Street Singer, by Frederick Lonsdale, with music by Harold Fraser-Simson, starring Phyllis Dare and Harry Welchman, ran for 360 performances from June 1924.

"John, Paul, George, Ringo … and Bert". It was built for the producer Henry Leslie, who financed it from the profits of the light opera hit, Dorothy, which he transferred from its original venue to open the new theatre on 17 December 1888.

[68][71] The production was followed by an import from the Everyman Theatre, Liverpool, which ran at the Lyric for 418 performances:[72] Willy Russell's Beatles musical, John, Paul, George, Ringo ... and Bert, with a cast largely new to the West End, including Anthony Sher, Bernard Hill, Trevor Eve and Barbara Dickson. The Lyric Theater is the oldest surviving of all the theaters currently on Shaftesbury Avenue. Stars appearing at the theatre included, in the early years, Marie Tempest, Johnston Forbes-Robertson, Eleonora Duse, Ellen Terry and Tallulah Bankhead, and in the mid-20th-century Alfred Lunt and Lynn Fontanne, Laurence Olivier, Ralph Richardson and Vivien Leigh.

"Hamlet and the Hedonists". Lyric 125. [40] The Talk of the Town (1904) by Seymour Hicks and several composers, starred Agnes Fraser, her husband Walter Passmore, and Henry Lytton. Gaye, p. 1532; and Cookman, Anthony. [47][48] Keane then starred in the comedy Roxana (1918); the reviews were excellent. This was followed in the same year by a stage adaptation of Coward's 1945 film Brief Encounter with Jenny Seagrove and Christopher Cazenove and then a revival of Eugene O'Neill's drama Long Day’s Journey Into Night, starring Jessica Lange.

[98] Thriller – Live, a Michael Jackson tribute revue, opened at the Lyric in January 2009 and, despite being described by The Times as "about as thrilling as a bowl of cold custard",[99] and by The Daily Telegraph as, in parts, "hagiographical twaddle",[100] was still running when the London theatres closed in March 2020 because of the COVID-19 pandemic.

[16] The architect was C. J. Phipps, who also designed the Savoy, Lyceum and Her Majesty's theatres.

Nightingale, Benedict. Beerbohm, Max. [39], Musical comedy returned to the Lyric at the end of Forbes-Robertson's season, with The Medal and the Maid (1903), by Owen Hall and Sidney Jones, with Ada Reeve and Ruth Vincent, and The Duchess of Dantzig (1903), by Henry Hamilton and Caryll, with Evie Greene and Courtice Pounds. "Rix back in rusty revival". [17], The theatre is on four levels, and originally had a capacity of 1,306, later reduced to about 900. [18] Looking back at past shows, the Lyric's website in 2020 singled out eleven productions from the 1990s.

The Lyric Theatre has a capacity of 889 seats, including 357 seats in the Stalls, 149 seats in the Dress Circle, 178 seats in the Upper Circle and 205 seats in the Balcony. [95], The theatre is scheduled to reopen with a socially distanced eleven week limited run of the musical Six, from 14 November 2020 to 31 January 2021. For a while, musical productions were not seen at the Lyric, and non-musical drama prevailed, including On Trial, an unusual melodrama that opened with the end of the story and worked backwards to the beginning. Decorated in a Renaissance design, the Lyric Theatre is the oldest surviving theatre on Shaftesbury Avenue, after first opening in 1888. T… This light comedy by Nancy Mitford, adapted from La petite hutte by André Roussin, ran for 1,261 performances until September 1953. In a 2017 survey of London's theatres, Michael Coveney observes that the 1880s marked the beginning of "a building boom … that signals the true making of the West End". Ayckbourn's Taking Steps – "the best farce in town" according to Punch – opened at the Lyric in September, running until June 1981. [70] The play ran into 1974 and Robert Hardy took over as Wicksteed from February until the run ended in August, after 543 performances.

[24], Sedger had an early success with his production of Edmond Audran's La cigale, in an English adaptation by F. C. Burnand with additional music by Ivan Caryll; it ran for 423 performances from October 1890. [95] Productions of the 2000s included Fanny Burney's satirical Georgian play A Busy Day, with Stephanie Beacham and Sara Crowe (2000). The Lyric Theatre was originally a music hall established in 1888 on Bradmore Grove, Hammersmith. [95] Wodehouse characters returned to the Lyric in By Jeeves, by Ayckbourn and Andrew Lloyd Webber, played in 1996. In August 1950 The Little Hut opened, starring Robert Morley, Joan Tetzel and David Tomlinson. Categories News, Theatre News — Posted on September 14, 2020. [46] It had a satisfactory run of 174 performances. The Lyric Theatre is a West End theatre in Shaftesbury Avenue in the City of Westminster.

[n 4] The second was Irma la Douce, starring Elizabeth Seal and Keith Michell, which opened in July 1958 and ran for 1,512 performances, closing in March 1962. She appeared again at the Lyric in Her Cardboard Lover (1928) and Let Us Be Gay (1929). [31] Some of these were critical and artistic successes, but overall they lost money, and Sedger went bankrupt. [47] Romance, starring Doris Keane and Owen Nares, transferred from the Duke of York's Theatre to the Lyric, where it finished its run of 1,049 performances.

NEWS: Six to transfer to the Lyric Theatre London for 11 week run opening in November.

[55], The Lunts returned in 1938 with a transfer of their Broadway production of Amphitryon 38, S. N. Behrman's adaptation of a French original by Jean Giradoux; this was followed by Charles Morgan's The Flashing Stream, which ran for 201 performances with Godfrey Tearle and Margaret Rawlings.

[n 3], The theatre opened on 17 December 1888 with the 817th performance of Dorothy, transferred from the Prince of Wales Theatre.

The Lyric Theatre Arts & Entertainment in Stuart, Florida "To provide the community with a home for the performing arts that entertains, educates, and stimulates the growth of artistic integrity and experience for everyone." "Premium blondes in a love lottery".

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