Re-creation by @jeremtardiv via Twitter. Conservation of cultural property involves protection and restoration using "any methods that prove effective in keeping that property in as close to its original condition as possible for as long as possible." Provides a history of the buildings that have housed the Getty Museum collections, overviews the collections themselves, and offers a biography of J. Paul Getty Joan R. Mertens joined the staff of the department in 1972. Seeing them re-created with stand-ins feels especially on-brand for this manuscript. These texts attest to Tucker’s tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting ... Dr. Davide Gasparotto, director of the Galleria Estense in Modena, Italy, will become Senior Curator of Paintings, … By providing an expanded understanding of avant-garde and Fluxus artists through the lens of the Jean Brown Archive at the Getty Research Institute, this volume demonstrates the profound influence these artists had on contemporary art. Previously, Moss was Curator and Deputy Director of Exhibitions and Programs at Orange County Museum of Art where she co-curated State of Mind: New Art from California Circa 1970 for the Getty’s Pacific Standard Time initiative in 2011. Prior to directing the Art Institute of Chicago, he was the director and professor of the Courtauld Institute of Art, University of London, from 2003 to 2004; the Elizabeth and John Moors Cabot Director of the Harvard University Art Museums and professor of the history of art and architecture at Harvard from 1991 to 2003; director of the Hood Museum of Art, Dartmouth College, from 1989 to 1991; director of the Grunwald Center for the Graphic Arts, UCLA, from 1986 to 1989; and assistant professor of art, Vassar College, from 1983 to 1986. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. James Cuno joined the Trust as president and CEO in August 2011. Previously, she has served as a fundraiser for both Stanford University and Harvard University, supporting record-level fundraising campaigns at both universities. Pomegranate, Worm, and Peach in Mira Calligraphiae Monumenta, 1561–62; illumination added about 1591–96, Joris Hoefnagel, illuminator, and Georg Bocskay, scribe. José Lazarte joined the Department of Paintings Conservation at the Metropolitan Museum in 2016 to complete a Mellon Fellowship followed by a Research Scholar position, and became a member of the staff in 2019. Position Duration: 10 weeks. Tempera colors, ink and gold on parchment, 5 1/4 × 3 7/16 in. May 30, 2018: Getty Foundation Awards First Museum Curatorial Practice Grants He is also a lecturer in art history in the Williams College/Clark Graduate Program in the History of Art. WILLIAM HUMPHRIES He was also a country relationship manager for China, Indonesia, and Vietnam, providing financial advisory services to various government agencies. TIMOTHY POTTS RICHARD FAGEN She is currently a trustee of the Mike Kelley Foundation for the Arts. The staff was housed there also and was busy planning the collection displays for the renovated museum. J. Paul Getty Museum Jul 2016 - Present 5 years 3 months Co-curator of Balthazar: A Black African King in Medieval and Renaissance Art and Outcasts: Prejudice and Persecution in the Medieval World. Marble, 14 ⅛ x 11 1/16 in. Stephen W. Clark joined the Trust as vice president and general counsel in April 2008. A Met fellowship grants scholars from around the world opportunities to immerse themselves in a curatorial, conservation, education, or scientific research department at the Museum. October 1, 2019: Getting Technical: Prints and Drawings Workshop at the Museums. He also served as chief deputy director for the California Department of General Services, serving as COO for the state’s procurement, real estate and telecommunications services, as well as deputy director of the California Department of Finance. A collection of essays by twelve scholars and museum curators examining the allure of Flemish painting to Americans over the past centuries, chronicling the roles played by determined individuals in forming private and public collections. Ms. McKillop was a research associate at Stanford's Graduate School of Business and has co-authored more than 20 business school case studies on entrepreneurship, strategy, and venture capital. The officers and directors of the J. Paul Getty Trust are appointed by the board of trustees to assist them in overseeing and conducting the activities of the Trust. Prior to joining the GCI, she was a Curatorial Assistant in the Getty Museum's Department of Photographs as part of the Museum's cataloging and digitization initiative. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. While at Nomura, he was responsible for implementing British privatizations and equities transactions in the telecommunications and pharmaceuticals sectors. "Peter Paul Rubens' fascinating depiction of a man wearing Korean costume of around 1617, in the collection of the J. Paul Getty Museum, has been considered noteworthy since it was made. Karen Karyadi is responsible for abstracts indexing and maintaining AATA Online's authority files. Prior to joining the GCI, Anna worked as a research specialist at a market research firm and on her own time, provides on-call services as a librarian for the Los Angeles Public Library. The European decorative arts holdings, which J. Paul Getty began acquiring in the 1930s, count among the world’s finest … Showcases the artist's later paintings and sheds light on the biographical, cultural, and historical context of their creation as well as on the painter's craft during his twilight years. DAYLIGHTING FEATURES THE J. PAUL GETTY MUSEUM . Dr. Miller earned her A.B. Los Angeles philanthropists Anissa and Paul John Balson have made a landmark gift to establish the Balson Family Endowed Fund, a $5 million fund to support the Getty Villa Museum. The Getty is a community that values differences and diversity in the pursuit of inquiry and knowledge, mutual understanding, respect, trust, transparency, and cooperation. He joins the Getty after ten years at the Fine Arts Museums of San Francisco, where he served as Curator of the … Please e-mail web@getty.edu with comments or questions. Lynda Bunting manages the production of AATA Online. Conclude with an exclusive curatorial tour of the Jewish Museum Berlin, designed by Daniel Libeskind, and a perusal of the modern art collection in the Berlinische Galerie. Oil on panel, 40 7/16 × 32 13/16 in. This was one of the first examples of the Getty Museum Challenge that I saw, and it wowed me immediately. The J. Paul Getty Trust
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